Resource Center
Select a period: >> All periods> Pre 1917> Cartoon Period> Scholar Period> Painting Period> 1987 – 1998> Foundation Period> 1910> 1920> 1930> 1940> 1950> 1960> 1970> 1980> 1990> 2000> 2010
Niubizi> War Efforts> Other Cartoons> Paintings> Sketches> Press Coverage, Publications, Talks & Writings> Exhibitions> Travels> Friends, Memorabilia & Artifacts> Donations and IP Usage
1970
1978 |  | 1978 to 1987 Paintings of Important Chinese People with Surname HuangBetween 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings about important Chinese people with surname "Huang" |
1978 |  | 1978 to 1987 Paintings of Chinese Classics : Peach PartyBetween 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he also did a series of cultural paintings. This is the story of "Peach Party" |
1978 |  | 1978 to 1987 Paintings of Chinese Classics : Dream of Red ChamberBetween 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he also did a series of cultural paintings. This is based on the famous novel "Dream of the Red Chamber" |
1978 |  | 1978 to 1987 Paintings of Important Chinese Women in HistoryBetween 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings about important Chinese women in history. |
1978 |  | 1978 to 1987 Folk Culture Paintings : Good HarvestFolk Culture Paintings of Good Harvest |
1978 |  | 1978 to 1987 Folk Culture Paintings : Good WishesFolk Culture Paintings of Good Wishes |
1978 |  | 1978 to 1987 Folk Culture Paintings : LiuhaiFolk Culture Paintings of Liuhai |
1978 |  | 1978 to 1987 Folk Culture Paintings : MasksFolk Culture Paintings of Masks |
1978 |  | 1978 to 1987 Folk Culture Paintings : SketchesSketches of Folk Culture Paintings |
1978 |  | 1978 to 1987 Folk Culture Paintings : ZhongkuiFolk Culture Paintings of Zhongkui |
1978 |  | 1978 to 1987 Sketches of Important Cultural Figures in Chinese HistoryBetween 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of sketches about important Chinese cultural figures. |
1978 |  | 1978 to 1987 Paintings of Chinese IdiomsBetween 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings based on Chinese idioms. |
1978 |  | 1978 to 1987 Paintings of Important Cultural Figures in Chinese HistoryBetween 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings about important cultural figures in Chinese history. |
1978 |  | 1978 to 1987 Paintings of Artists in Chinese HistoryBetween 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings of artists in Chinese history. |
1979 |  | 1979 to 1985 Pure Calligraphic WenzihuaHuang Yao selected a combination of different scripts, many in pictorial form for the characters to best express the meaning of the title. |
1979 |  | 1979 to 1982 Calligraphic Wenzihua with PaintingHuang Yao did not restrict himself to calligraphy only. Being an accomplished Chinese painter he was able to and he often did add the painting of human figure or even scenery to a piece of work that can be considered as completed already (like those in the previous category) to further illustrate the feeling or content of the title. |
1979 |  | 1979 Modesty Receives BenefitIn Kuala Lumpur, Huang Yao often included children in his paintings of other topics. Children are found in paintings of scenes of Nanyang as part of a family with their mother or sister similar to the lifestyle scenes of Thailand. |
1979 |  | 1979 HY's Perfect Children: The Dragon DanceThe children have bright eyes that are wide apart, as if taking in everything they can of the world around them, like intelligent children do. They are chinless; chubby cheeked; with straight, short, slightly droopy eyebrows; tiny noses; simple curved ears and wide smiling mouths. |
1979 |  | 1979 Joy in Painting and Appreciation of PaintingsThe children at play are usually active, moving their arms and legs. I would drop my brush, get up and jump around a bit, relax my muscles, stretch my arms. |
1979 |  | Human Figure Paintings - Men in Poetic SettingWe have read books on Zen as well as listened to many Zen stories. Zen should not be split into different schools. |
