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Scholar Period > Paintings > China
1930s Huang Yao Seal carved by Wang Shoupeng
In our records, this seal was carved by Wang Shoupeng (1875-1929). Inscription was probably done by another person as Wang had already passed away in 1930s.
December 22 1934: Huang Yao Seal engraved by Mu Yilong
Mu Yilong was Huang Yao's colleague at Xinwen Bao ( The News ) in Shanghai. He was also a reknowned photographer.
Huang Yao Seal engraved by Zhang Yingchao a fellow cartoonist from Shanghai
Zhang Yingchao was a famous and active cartoonist in the 1930s Shanghai. He served in the committee for the First National Cartoon Exhibition in 1936.
September 1942: Huang Yao Seals engraved by Xie Meinu
Mei Nu (1911-‐1991), famous seal engraver, engraved for both Mao Zedong and Jiang Jieshi. He was friend to Qi Baishi and Xu Beihong. In our records, Xie Meinu had engraved 2 seals for Huang Yao.
October 1944 Painting for Tribal Chief Hu Zhonghua
Painting found on the internet in 2010, owner unknown. The painting is of an arch, a symbol of peace and harmony.
October 1944: Huang Yao Seal engraved by Indigenous Native Chief in Yunnan
In 1944 Huang Yao had given a painting to a tribal chief in Kunming, the seal could be an exchange.
1947 The Contradiction Set
The 'Contradiction', the last known set of cartoons Huang Yao painted before leaving China. It depicted the contrasting situations between the old and the young, modern and traditional; the injustice committed by the government and military towards the civilians, the rich and the poor, the politicians, business men, scientist's view of the world and so on...
August 8 1957: Joint Exhibition of Ten Contemporary Chinese Artists
Exhibition dates: 8 August – 14 August 1957
February 19 1980: Three Friends Calligraphy and Painting Exhibition (Taipei)
Three Friends: Wang Shizhao, Huang Yao, Chen Naichao
Huang Yao's Landscape Creation1 - A Verse from the Red Cliff
Sometimes I paint human figures and at other times, landscape, depending on my mood. I let my mind follow its natural inclinations without restraint or obstruction.
The Philosophy Behind Chinese Landscape Painting
For Chinese landscape painting, it is not necessary for you to paint the landscape you see. You paint only the landscape you envision in your mind but the painting must capture the spirit of nature.
September 1982: The Ten Talks of Niubizi
147 pages, published in mandarin by Li Ming Cultural Enterprise Co. Ltd, Taiwan. Published in September, 1982.