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1980

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1951

1951 to 1982 Paintings of Dragons

1951 to 1982 Paintings of Dragons

The mythical noble animal dragon represents the Chinese emperors. It is also one of the animals in the Chinese zodiac. 2012 will be a dragon year...

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1974

1974 to 1981 Coloured Calligraphic Wenzihua

1974 to 1981 Coloured Calligraphic Wenzihua

Here, Huang Yao not only did not confine himself to using black ink exclusively for the writing of the characters, he wrote them freely and spontaneously often in great speed so much so that the characters are no long in the typical vertical position nor are they about the same size.

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1974

1974 to 1980 Ideographic Wenzihua

1974 to 1980 Ideographic Wenzihua

In this category, Huang Yao chose the appropriate pictographs or pictures to clearly express the meaning or the concept in the title of the painting.

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1974

1974 to 1980 Imaged Wenzihua

1974 to 1980 Imaged Wenzihua

This last category has paintings that cannot be included in the earlier categories. It is apparent that the creation of the images in these paintings required not just a good grasp of the palaeography of the Chinese characters but the painter must also be a scholar of Chinese classic and a person with a deep understanding of the Chinese culture

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1978

1978 to 1987 Folk Culture Paintings : Tu An Hua

1978 to 1987 Folk Culture Paintings : Tu An Hua

Tuan hua is the painting of things in nature, which are simplified or beautified and rearranged by the artist to form a painting. The original subjects in nature can still be seen in the final painting. But because the design, style and color in the painting are often so beautiful that these paintings are often used as decorations on objects, be it a small one or even big as a tall building.

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1978

1978 to 1987 Paintings of Important Chinese People with Surname Huang

1978 to 1987 Paintings of Important Chinese People with Surname Huang

Between 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings about important Chinese people with surname "Huang"

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1978

1978 to 1987 Paintings of Chinese Classics : Peach Party

1978 to 1987 Paintings of Chinese Classics : Peach Party

Between 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he also did a series of cultural paintings. This is the story of "Peach Party"

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1978

1978 to 1987 Paintings of Chinese Classics : Dream of Red Chamber

1978 to 1987 Paintings of Chinese Classics : Dream of Red Chamber

Between 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he also did a series of cultural paintings. This is based on the famous novel "Dream of the Red Chamber"

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1978

1978 to 1987 Paintings of Important Chinese Women in History

1978 to 1987 Paintings of Important Chinese Women in History

Between 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings about important Chinese women in history.

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1978

1978 to 1987 Folk Culture Paintings : Good Harvest

1978 to 1987 Folk Culture Paintings : Good Harvest

Folk Culture Paintings of Good Harvest

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1978

1978 to 1987 Folk Culture Paintings : Good Wishes

1978 to 1987 Folk Culture Paintings : Good Wishes

Folk Culture Paintings of Good Wishes

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1978

1978 to 1987 Folk Culture Paintings : Liuhai

1978 to 1987 Folk Culture Paintings : Liuhai

Folk Culture Paintings of Liuhai

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1978

1978 to 1987 Folk Culture Paintings : Masks

1978 to 1987 Folk Culture Paintings : Masks

Folk Culture Paintings of Masks

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1978

1978 to 1987 Folk Culture Paintings : Sketches

1978 to 1987 Folk Culture Paintings : Sketches

Sketches of Folk Culture Paintings

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1978

1978 to 1987 Folk Culture Paintings : Zhongkui

1978 to 1987 Folk Culture Paintings : Zhongkui

Folk Culture Paintings of Zhongkui

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1978

1978 to 1987 Sketches of Important Cultural Figures in Chinese History

1978 to 1987 Sketches of Important Cultural Figures in Chinese History

Between 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of sketches about important Chinese cultural figures.

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1978

1978 to 1987 Paintings of Chinese Idioms

1978 to 1987 Paintings of Chinese Idioms

Between 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings based on Chinese idioms.

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1978

1978 to 1987 Paintings of Important Cultural Figures in Chinese History

1978 to 1987 Paintings of Important Cultural Figures in Chinese History

Between 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings about important cultural figures in Chinese history.

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1978

1978 to 1987 Paintings of Artists in Chinese History

1978 to 1987 Paintings of Artists in Chinese History

Between 1978 to 1987, Huang Yao moved to Kuala Lumpur to be with his son and family. By then, he was prolific in his creativity and output in paintings. During this period, he did a series of paintings of artists in Chinese history.

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1979

1979 to 1985 Pure Calligraphic Wenzihua

1979 to 1985 Pure Calligraphic Wenzihua

Huang Yao selected a combination of different scripts, many in pictorial form for the characters to best express the meaning of the title.

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